Discover the most expensive violins available today. Be careful, because this list can make you dizzy!

 

Work of art or musical instrument?

Would you dare to play a violin that belongs in a museum? Aside from the price tag, wouldn't feeling the weight of history in your hands deter you?

String quartet instruments are among the most sought-after art antiques today. That's why some of them can reach dizzying heights at auction. We're talking several million euros here...

Many of them are safe in private collections, museums or vaults. Yet some of the luckiest musicians have the opportunity to play on these treasures that have survived the centuries. They therefore play on instruments that sometimes belonged to legendary musicians or personalities. This is why current owners often testify to the intense emotions that emanate from their violins, violas or cellos. As if they were inhabited by something supernatural.

Could the luthiers of yesteryear have imagined that one day they would be making auctioneers dizzy?

 

 

Top 5 most expensive violins

1 - The " Macdonald", an auction record($45 million)

Violinists beware, the most expensive violins are actually much more affordable than this viola!

The " Macdonald " is a viola made by the Italian master Antonio Stradivari in 1719. It owes its name to the third Baron Macdonald, Godfrey Bosville, who acquired it around 1820. The absolute auction record was exceeded on June 26, 2014 at Sotheby's in Paris. The instrument fetched an unprecedented $45 million!

The estimate of its price is important because of the very limited number of violas produced by the Italian master. Only ten have been identified to date. In contrast, some six hundred violins and fifty cellos were produced in his workshop during his lifetime. What makes the "Macdonald" so famous is that it is the sole representative of the famous luthier's " golden age ". It has not been altered in any way over the years. It still has plenty of varnish and has apparently not been broken.

Its uniqueness and perfect condition make it one of the most coveted objects in the world. In fact, it is the only instrument available that would allow the creation of a complete Stradivarius quartet. In other words, a set of two violins, a viola and a cello built by the master.

In the end, despite the media shock and the absolute rarity of this prestigious instrument, no one has yet decided to buy it. Even though it is a truly priceless instrument.

 

2 - The "Vieuxtemps", the violin of virtuosos (+ $15.9 million)

The "Vieuxtemps" violin - the most expensive violins
The Vieuxtemps violin

Made in 1741 by another Cremonese luthier, Guarneri Del Gesù. This violin is named "Vieuxtemps" in tribute to one of its owners: the violinist and composer Henri Vieuxtemps. Likewise, it has passed through the hands of the greatest virtuosos. Over the years, it has become the partner of Yehudi Menuhin, Itzhak Perlman and Pinchas Zukerman. All in all, an instrument that has never ceased to delight our ears...

In January 2013, however, the violin was sold by J.&.A. Beare to an anonymous buyer for an undisclosed sum. The sellers confirmed, however, that the price exceeded the previous record set at $15.9 million.

 

3 - The "Lady Blunt", auctioned for a good cause($15.9 million)

The "Lady Blunt" violin - the most expensive violins
The Lady Blunt violin

This instrument is signed by Antonio Stradivari anddated 1721. It was acquired by an anonymous bidder at an online auction in 2008. The proceeds were donated to a Japanese foundation fighting earthquake and tsunami damage. The sale, organized at the time by rare instrument specialist Tarisio, caused quite a stir. All the more so as the violin was said to be "the best-preserved Stradivarius offered for sale in the last century". It finally sold for $15.9 million, more than four times the previous record.

This precious violin is named after Lady Anne Blunt, granddaughter of the famous British poet Lord Byron. She acquired it through Jean-Baptiste Vuillaume. What's more, it was rarely used for centuries, as it often passed into the hands of collectors. This example from the end of the master's golden age is in impeccable condition. What's more, it's one of the rare instruments to still have its original neck.

 

4 - The "Mary Portman" ($10 million)

The "Mary Portman" violin
The Mary Portman violin

The "Mary Portman" is a violin made by Guarneri Del Gesù in 1735. It takes its name from an English aristocrat by the name of Mary Isabel Portman. She owned the violin during the 20th century, and it is now estimated to be worth $10 million.

 

5 - The Hammer($3.5 million)

This 1707 Stradivarius was sold in May 2006 at the famousChristie's auction house with a bid of $2.03 million. At the time, it was the biggest sale ever for a violin. The violin had a starting price of $1.5 million, but was sold for $2.5 million.

This delicate violin owes its name to Christian Hammer, a 19th-century Swedish collector. He is the first known owner.

 

A priceless violin!

Among the world's most expensive violins is also the Messiah. This is another instrument byAntonio Stradivari made at the peak of his art in 1716, but its history is highly controversial. Indeed, it is undoubtedly the best-preserved model by the Cremonese master, as it has hardly ever been played and is still in exceptional condition. So well preserved, in fact, that many specialists doubt its authenticity. In fact, the Messiah only asks us to have faith in him.

If this were truly the master's work, it would surely break all current auction records. For the moment, however, it belongs to the Ashmolean Museum in Oxford, and I invite you to discover it on this page: The Messiah.

 

 

A few thoughts on instrument pricing

The instruments of the violin family are endowed with an ingenious architecture. That's why they've survived the ages and musical trends without a hitch. And with some of them over 400 years old, they have achieved antique status. Those that are still in a state of preservation and playability are highly sought-after by connoisseurs. But where should an art antique be today? In a concert hall, a safe or a glass cage?

Rarity and prestige are necessarily the reason for a high price. In classical circles, it's fashionable to own or have owned one of these mythical instruments. The musician's talent is sometimes eclipsed by the instrument he or she owns. At concerts, the violin, viola or cello can also be a celebrity. So much so, in fact, that it can pose problems for new generations of professionals.

Over the last few decades, the price of Italian Renaissance master instruments has skyrocketed. However, musicians can rest assured that good instruments are not always overpriced. Indeed, the technique, knowledge and thoughtfulness of today's luthiers are exceptional. We sometimes speak of a new golden age of violin making. Modern instruments rival their ancient counterparts in both sound and aesthetics. Although devoid of glorious pasts such as the most expensive violins we've talked about.

The masterpieces handed down to us by makers from Cremona and elsewhere are testimony to exceptional craftsmanship. Their legacy will continue to influence generations of musicians and luthiers. It's important to treat them with respect and consideration, because the most expensive violins, and even the cheapest, are all, without exception, "priceless".

 

Would you dare to play on the most expensive violins, or do you find this escalation ridiculous? Feel free to discuss it in the comments!

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50 comments

  1. Your article is very interesting, but I don't agree with certain points. Hilary Hahn plays a Vuillaume and managed to make a name for herself without playing a crémonais, for example. So the possession of such an instrument is not necessary to achieve notoriety. As for the fact that strad. have come down to us in good condition, the Lady Blunt is a perfect denial of this, as it had a fractured core, among other damage (sources: Eugène Gand's notebook published by Les Amis de la musique à Bruxelles). From my point of view, the price of these instruments belongs to the art market and has nothing to do with their real value as musical instruments. Arthur Grumiaux played a Guarnerius, but also a Gand père and a Joseph Hel, with which he performed in concert and on record (but without saying so), and he's not the only one. French luthiers of the 19th century produced excellent musical instruments, not only in Paris, but also in Mirecourt. And today's luthiers know how to make good instruments too.
    Sincerely
    M. G. de La Varonne

    1. Thank you for your very pertinent comment. It's true that the article may give the impression that I'm only talking about 18th century Cremonese instruments, since it only mentions the record prices achieved by instruments that happen to be exclusively by Guarneri del Gesu or Stradivari. But names such as Vuillaume, Gand or Hel are quite prestigious and rank among the great names in French violin making. Owning an old instrument by a French, German or English master is quite credible in the eyes of any classical musician, since Cremonese instruments from this period are obviously very expensive, and this has nothing to do with superior build quality or sound.

      As for today's luthiers, they do indeed know how to make exceptional instruments, and some today speak of a second golden age of quartet lutherie. In 2013, the record-breaking violin by Sam Zygmuntovich was auctioned by Tarisio for 130,000 USD, and its current manufacture is selling for 48,000 USD with a 4-year waiting list.

  2. I've just found a violin dating from 1758 at my grandparents' house: by Benoit Fleury, rue des Boucherons Saint-Germain Paris.

    Can I know the estimated price?

    1. We'd have to check its origin first, but according to the Tarisio auction house website: the record sale for a violin by this maker was $30,779 in October 2011.

  3. Hello,
    I found in the attic of a house I just bought a violin with a Stradivarius copy label and another Masspacher label. Can you please tell me if this is a quality instrument and what its value is? It's an instrument I'd like to make available to a conservatory.

    Thank you in advance for your information.

    1. These instruments were probably made in Mirecourt, and depending on their condition, can be worth from a few hundred to a thousand euros. If they are in playable condition, of course.

      1. Thank you very much for your reply. I'm going to check with the conservatory in my town to see if they can make them available.
        Best regards.

  4. bonjour, j'ai un violon qui de famille arriere arriere grands parents du plus loin que je peux remonter..voici sa description: coffret coffueil, archet tourte avec boite colophane gand et bernardel paris, violon avec etiquette joseph guarnerius fecit cremonae anno 1725 ihs, pochette corde bernhardt. il y a un petit losange en relief près de l'ame.qu'en pensez-vous?
    thank you

    1. Hello, the little diamonds are reinforcements for the central joint, and there should be several of them all along the joint. As for the rest, it's always difficult to say without pictures. It could well be a Mirecourt violin, according to the description of the accessories.

  5. I own a violin bearing a Joseph Guarnerius 17 XX label (the year is difficult to read) with the initials IHS and a pearly double border. The neck of this instrument is carved and also shows an IHS. The fact that I can see this surprising edging makes me wonder. Could it have been made for a noble lady? The label has all the hallmarks of a period instrument. It has a superb sound. I've just lent it to a violinist friend of mine. He's going to have it fitted with a new bridge and modern strings.

  6. Good evening,
    I have some very simple questions that are bothering me, and I'd like to thank you in advance for your kind consideration.

    Considering the violin from a technical point of view
    (violin made by a luthier),
    What justifies its price?
    Where does the technical skill lie?
    What justifies the high cost of studies at the Academia Cremonensis (luthier - 3 years) in Cremona?
    Is it possible to learn the luthier's trade as a full-time apprentice?

    Once again, thank you for your interest in my questions.
    Kind regards
    Arnaud Stehlin

    1. Hello Arnaud,
      I'm not convinced that these are such simple questions, but I'll try to answer them anyway.

      The average selling price of a modern violin in Europe is around €10-15,000. It is the fruit of around 200 hours of work and many years of experience and learning. Some luthiers may well sell their production for 25, 35 or 45 thousand euros - it's all a question of supply and demand, prestige and notoriety. In fact, beyond a certain point, the purchase price is justified only by the price the buyer is prepared to spend. As a work of art.

      As for technicality, this depends on the final result. Any motivated amateur can build a violin, but the result will obviously not be up to the standard of a master.

      Studying in private or public schools is justified in the sense that there is no formal apprenticeship or journeyman program, and the only way to obtain a craft diploma is through this route. They are expensive, as they are often private schools with very limited subsidies. I don't know the exact cost, but it's probably equivalent to any year in a private school (€8 to 10,000).

      A luthier can take on an apprentice in his workshop, but this will very often be after prior training at a lutherie school. Or they may make special arrangements. On a case-by-case basis.

      I hope this will provide you with some answers. If you have any further questions, please don't hesitate to send me an e-mail or give me a call.

  7. Of course I'd dare to play a Stradivarius or a Guarnerius!

    A musical instrument is made to be played, and that's what gives it its soul.

    And I'm not talking about the little piece of wood: in Latin, "anima", which gave rise to "soul", means "the breath of life" that characterizes a living being.

    As long as it is played, an instrument remains alive. In a showcase, it's like a stuffed animal in a natural history museum. A desiccated corpse.

    What a violin has in common with an old car is that it deteriorates much more when not in use.

    As far as the price of these instruments is concerned, it's clear that it doesn't reflect their intrinsic qualities, but is set by supply and demand, i.e. that such an instrument is worth what a buyer is prepared to put into it. And the speculative bubble is not about to deflate...

  8. My parents gave me a violin in 1963. This violin bears no label, but according to a violin maker, it is a German violin produced either towards the end of the 19th century or at the beginning of the 20th century. I noticed on the inside of the violin that it has the letter B engraved. Would you have any idea of the maker of this period and the value my violin might have?

  9. Hello I have a violin copy of antonuis stradivarius cremonenfis faciebat anno 1721
    I don't know its value at all
    Could you please inform me
    Sincerely
    Valerie

  10. Hello: I once found a violin at a flea market whose soundboard had been crushed, but repaired by two violin makers: Bizet 1864 Compiegne and J.Terrasse 1918 Besançon; the back was superb; label by Nicolo Amati difficult to read. I showed this instrument to my luthier at the time, who told me that a violin had been rebuilt from the back and that it was probably a Kessler instrument; indeed, when I removed the chinrest I discovered that it was by Kessler Berlin! (Maybe one of your parents?) This beautiful violin is intimate and I love playing Haydn's serenade! I currently own a Grandjon from 1870 in the Strad model; superb lutherie with a sublime sound that has nothing to envy to its illustrious inspirer! I also own a Georges Chanot 1856 mod. Guarnéri del Jésu that I had to sell back to Bernard Sabatier, alas! Its sound power was incredible. All this to say that some 19th-century French violins really were at their best! And then I found a marvellous 1928 Vezio Paoletti viola in the Guarneri del Jesu model; here's my little contribution to these marvellous anecdotes about violins!

  11. Hello, my father left me an old violin with a signature but I can't make it out. Could I send you a photo to help me identify its origin?

    1. Hello Emmanuel, of course you can, but it's best to take several photos, of decent quality and with good lighting. You can take a look at the store's photo galleries and get an idea of some interesting shots.

  12. Hello Mr. Kessler,
    Bravo for your interesting article. Could you share with me your opinion on unauthenticated antique instruments?
    I recently had the opportunity to try out an early 18th century cello in a very good state of preservation and very interesting sound but not formally identified. It only has a certificate describing it as "by a pupil of Enrico Catenari".
    This cello is being sold for 230,000€ and I was wondering if this was a really acceptable price when its provenance is not exactly defined. Do instruments of this type have an average value, or do they increase in value over time?

    Thank you for your attention.
    Sincerely

    1. Instrument prices will vary widely, but if it's old and Italian, even if it's not really attributed, prices can rise enormously. Prices are constantly revised upwards by the laws of supply and demand, experts and auction houses, where sales records are broken almost every year.

      If the cello has a legitimate certificate drawn up by a reputable expert, then you can at least be sure of the provenance and value of what you're buying. Be careful, however, as this is a world where counterfeiting is very profitable, so you need to be vigilant and call on competent people to carry out an expertise or even a counter-expertise in order to prepare for such investments.

      As for average values, let's just say that this will depend on many factors, such as condition, signature, country of origin or school of attribution, but everything is highly variable to tell the truth, also depending on who the seller is. Likewise, all these instruments invariably increase in value over time. In fact, there's a reason why so many people invest in such works.

  13. hello I own a cello brand:
    -Franciscus Lazzaretti Fecit Vicentiae Anno Dni18.
    can you tell me more about this violin? and what is its price?
    merci cdt bernard

    1. He was an Italian luthier in the second half of the 19th century. You're talking about both violins and cellos. Is it really a cello? Prices can vary widely, depending on the condition and performance of the instrument. If it's not a counterfeit, it's an instrument that inevitably has value. All that remains is to authenticate it.

  14. Hello Mr. Kessler
    I would like to know, please, if you also know Canadian and American violins???
    Or only European violins?
    Thank you for your answer
    Michel L.

  15. Hello,

    I have a violin with the label 'Josef Guarnerius fecit cremonae anno 1745 IHS'.
    It used to belong to my great-grandfather (we're sure it's 100 years old).
    Is it real?(it has an excellent sound for my taste compared to other violins I've had).
    Thank you in advance for your reply.

  16. Hello,
    I sent you a comment and I forgot to ask you a question:
    What is its approximate value?
    Thank you

    1. Hello,

      In fact, it's difficult for me to express myself without seeing the instrument, if only in a photo. It's easy to understand that the label is in fact the last reliable source of information about an instrument. In fact, it is very easy to change/replace/falsify.

      In any case, even if it's not an original produced by the master in Cremona. Nor is a later copy production synonymous with a worthless instrument; some very good luthiers still use these very good models to make marvellous violins. So, even if it's not a genuine Del Gesu, it may still be an authentic antique of lesser value, but it can still be quite substantial.

  17. Hello, I would like to send you a picture of a Joseph Guarnerius Fecit Cremonae Anno 17 IHS violin bought second hand because I am interested in the violin recently, I am a small musician, but especially I am reading "The inner violin", by D. Hoppenot who encourages me to start .... I do not know how to do for the photos because I discover this site. I'll keep looking to see if I can find an e-mail address. Thank you for your help.

  18. Hello Sir,
    I recently acquired a new violin (much better than the small Mirecourt I used to play); from my point of view, it's a very good violin, which sounds very good, probably dating from the 18th century, but which is anonymous.
    So I was wondering, what is it about a violin that has no "name", no identity; that we don't know who made it? Is it because the label has been lost over the centuries, which seems unlikely to me? Or is it possible that a luthier deliberately chooses not to sign his work?
    Thanks

    1. Hello, in fact all violins made by craftsmen have their own brand or label. Sometimes removing the label allows dealers to erase traces of provenance and thus sell instruments in a blurred fashion. In any case, labels are so interchangeable that it's really the last thing to look at on a violin. In fact, there are so many other clues to identify an instrument, its origin, its region and even its maker.

      However, there are also many anonymous violins, made in workshops, factories or whose origins have simply been lost. It is very common to attribute instruments simply to a given period or school, rather than to a precise signature. It's much safer from an ethical point of view.

      I invite you to read the article: https: //www.guillaume-kessler.fr/un-violon-authentique

  19. Hello,
    My husband and his brother inherited a violin that belonged to their mother.
    It is marked Andrea GUARNERIUS anno 1690 on one side and on the other side a label on which is written "racomodé par Mast rue des balances à Toulouse en ???".
    We don't know its value and would like to have it appraised. What's your opinion?
    For information, the instrument is currently with my brother-in-law in England.

    1. Hello, ma'am,

      Thank you for your message. As I say in some of my articles, the label does not necessarily mean that it is a genuine instrument. Very often it's a copy (sometimes written in tiny letters above the signature) or an outright forgery.

      That's why I suggest you show me the violin so I can tell you more about it.

  20. Hello, the book on a family of Italian luthiers, the Guarnerius, talks about Luigi TARISIO and a violin by Joseph GUARNERIUS del jésu which was sold to a gentleman from Kermoisan. From other sources, I know that his daughter, Fanny de Parscau, sold this same violin in 1895 (or shortly before). She reinvested the proceeds in the purchase of a manor house in Carantec. Do we know the sale price and the history of this violin after 1895?

    1. Hello Mr BOLZER,

      Indeed, some of the most expensive and illustrious violins are quite closely followed. The documentation on them is quite extensive, but there are also missing data from "anonymous" sales. Some instruments may disappear into private collections over a period of time. Sale prices are sometimes found in auction house registers.

      1. Hello Monsieur,
        I'm researching the history of Monsieur de kermoisan's Guarnerius, about which Mr. Bolzer asked you a question.
        Would you be so kind as to give my contact details to Mr Bolzer, with whom I would like to have a chat.

        1. Hello, Sir,
          I'm sorry, but I don't have this person's contact information. If you'd like to discuss Mr. de Kermoisan's Guarnerius violin, you'll have to reply to him directly, or search on social networks.

  21. Hello Sir,
    I have just inherited a violin from my father, which I found in a cupboard in the garage.
    a label inside says "made under the direction of Marc Laberte Maitre luthier Mirecourt (Vosges) numbered n°1995".
    could you tell me the price range for this type of violin?
    many thanks

    1. Hello, ma'am,

      Please contact me by e-mail with clear photos of the violin and measurements. You'll find articles in this blog that will help you send me the right information.

  22. Hello
    Looking at the Lady Blunt, I find it strange that you can't see the famous sole behind the heel of the handle, added by Vuillaume.
    Could you tell me if I'm wrong?
    Sincerely

  23. I own a violin probably from the 1920s with this inscription on the inside label." Giuseppe Gandolfi Cremone No. 593″
    Another from my father by Joseph Guarnerius fecit Cremone 1720 IHS more or less from the 1920s . Both are in beautiful wooden containers in good condition.
    On the other hand, the violins need restoration, for the bow, the violin strings etc. The violins themselves have some scratches on the sides.
    Please let me know what I should do with these violins.
    Sincerely
    MGuittard

  24. bonjour monsieur KESSLER j'ai un violon avec l'interieur une étiquette antonuis stradivarius cremonensis anno 1721 il a commencé a être restaurer sur sa face avant si c'est un authentique quelle serait sa valeur merci